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E.A.T. C-Major Turntable, E.A.T. E-Glo Petit Phono Preamplifier, and E.A.T. Jo No 5 Phono Cartridge Review

E.A.T. C-Major Turntable, E.A.T. E-Glo Petit Phono Preamplifier, and E.A.T. Jo No 5 Phono Cartridge

E.A.T. C-Major Turntable, E.A.T. E-Glo Petit Phono Preamplifier, and E.A.T. Jo No 5 Phono Cartridge

E.A.T. C-Major Turntable

E.A.T. E-Glo Petit Phono Preamplifier

E.A.T. Jo No 5 Phono Cartridge

Introduction

E.A.T. (European Audio Workforce) is an Austrian agency, situated in Wilfersdorf, with manufacturing amenities in Japanese Europe. The CEO is Jozefína Lichtenegger. The C-Major turntable underneath assessment here’s a new product, based mostly upon the costlier C-Sharp turntable. The compromises are a lighter weight platter, shorter tonearm, and guide velocity management.

E.A.T began out making tubes and them branched out to make turntables. They’re a really respected producer now, acknowledged for his or her fantastic designs.

E.A.T. TURNTABLE, E.A.T. PHONO PREAMPLIFIER, AND E.A.T. PHONO CARTRIDGE SPECIFICATIONS

E.A.T. C-Major Turntable

Design:

Turntable with 9” C-Notice Tonearm

Plinth:

MDF, Polymer, and Carbon

Platter:

Foremost – 1.eight kg (four kilos), Sub-platter – zero.7 kg (1.5 kilos), Aluminum, Damped with TPE (Thermoplastic Elastomer) Inserts

Bearing:

Bronze, Teflon®, Brass

Velocity Variation:

33 RPM: ± < zero.09%, 45 RPM: ± < zero.10%

Wow & Flutter:

33 RPM: ± zero.05%; 45 RPM: ± zero.05%

Tonearm:

9” Carbon Fiber

Arm Bearing:

Mixture of Cardan for Horizonal Motion and Uni-pivot for Vertical Motion

Counterweight:

110 gm, 148 gm

Cable:

Stereo RCA + Floor

Energy Provide:

15 Volts DC Wall Wart

Dustcover Included

Dimensions (with out dustcover):

352 mm (13.9”) H x 460 mm (18.1”) W x 125 mm (four.9”) D

Weight:

9 kg (19.eight kilos)

MSRP:

$2,545 USA with out phono cartridge; $2,795 with Ortofon Quintet Blue phono cartridge

E.A.T. E-Glo Petit Phono Preamplifier

Design:

Hybrid Tube; Twin Triode Output Stage, 2SK209 J-FET Enter Transistors in a Quad-setup

Tube Praise:

Two 12AX7 Twin Triode

Submit-Emphasis Curve:

RIAA ± zero.1 dB / 20 Hz – 20 kHz

MC/MM Suitable

Inputs:

One Set Stereo, Gold-plated

Outputs:

One Set Stereo RCA Gold-plated

Enter Impedance Loading:

10, 18, 43, 75, 150, 300, 600, 1200 Ohms, 30, 36, 42, 47, 53, 59, 65, 75 kOhms

Enter Capacitance Loading:

50, 150, 270, 370, 520, 620 pF

Achieve:

40, 45, 50, 60, 65, 70 dB

Output Impedance:

100 Ohms

Subsonic Filter:

20 Hz @ 18 dB/Octave

Energy Provide:

18 Volts DC Wall Wart

Dimensions:

78 mm (three.1”) H x 226 mm (eight.9”) W x 262 mm (10.three”) D

Weight:

2.5 kg (5.5 kilos)

E.A.T. Jo No 5 Phono Cartridge

Stylus Sort:

Nude Effective Line

Stylus Tip Radius:

eight/40 μm

Inner Impedance:

5 Ohms

Really helpful Load Impedance:

20 Ohms

Frequency Response:

20 – 26.000 Hz ±1.5 dB

Output voltage at 1 kHz, 5 cm/sec:

zero.33 mV

Channel Separation:

25 dB @ 1 kHz

Channel Separation:

16 dB @ 15 kHz

Channel Stability:

1.2 dB @ 1 kHz

Vertical Monitoring Angle:

20°

Monitoring Drive:

2.2 gm – 2.5 gm

Really helpful Monitoring Drive:

2.four gm

SECRETS Tags:

EAT, Phono Cartridge, Phono Preamplifier, C-Major Turntable, EAT Product, Turntable Review 2018, Preamplifier Review 2018, Cartridge Review 2018

Design

The platter consists of two items, a sub-platter weighing 1.5 kilos and which receives the rubber belt, and an overlying main-platter weighing four kilos.

The plinth (base) is a mix of MDF, polymer, and carbon, having low resonance.

The tonearm is 9” in size and is a mixture of a Cardan horizontal bearing and a uni-pivot vertical bearing design, as in comparison with a gimbal pivot. The uni-pivot cup rests on a sharp-pointed bearing, such that there’s minimal contact of metal-on-metal. This leads to negligible friction when the tonearm strikes vertically.

As with so many turntables nowadays, an aluminum “puck” is included, which helps maintain the LP flush with the platter. This specific one has a knob on prime that’s used to tighten the grip of the puck on the turntable spindle.

E.A.T Turntable

The E.A.T. E-Glo Petit phono preamplifier is their newest entry within the preamp class. It’s priced at an entry-level of $1,495.

E.A.T. E-Glo Petit phono preamplifier

The entrance panel has indicators for the Achieve at 40 – 70 dB (I used a achieve of 70 dB with the E.A.T. Jo No 5 phono cartridge) and Load Capacitance at 50 – 620 pF (I used 150 pF).

The highest of the preamplifier has the selector switches. On the left is the Energy change. Above that is likely one of the resistance Loading dials. The opposite resistance Loading dial is to the fitting. Every dial has its personal vary of resistance values, and you choose which dial is lively through the use of the Impedance change on the backside on the left finish of the row of switches (see photograph under). I used the low resistance vary of choices and selected 18 ohms (the really helpful resistance loading for the E.A.T. Jo No 5 phono cartridge is 20 ohms).

E.A.T Preamp Face

To the proper of the Impedance change is the Capacitance loading change which modifications the LED on the entrance panel to point which capacitance loading you’ve gotten chosen. The Achieve change is subsequent, which modifications the achieve among the many six obtainable positive factors settings, indicated by LEDs on the entrance panel. The Subsonic filter change is final. I used the preamp with the Subsonic filter change off, as defined later.

Right here is a photograph of the rear panel of the preamplifier. It has one set of stereo RCA inputs and one set of stereo RCA outputs. The DC wall wart energy provide is 18 volts. There’s additionally a floor terminal to which the bottom wire from the turntable is hooked up. This is essential as a result of the voltage from the cartridge is so low, floor hum interference would in any other case trigger an enormous drawback.

RCA outputs

There are two 12AX7 twin triode tubes within the output stage and an FET strong state enter stage, configured in cascode. A comparative schematic for that is proven under. The triodes are a unique mannequin, however the general circuit must be comparable. You possibly can see that the plate output from one triode is related to the grid of the second triode. That is attribute of cascode (schematic Copyright Tubecad.com). The sign goes from the J-FET on the backside middle, to the cathode of the primary triode within the middle, then from the plate of the primary triode to the grid of the second triode within the higher proper.

Tube Hybrid

The E.A.T. Jo No 5 phono cartridge is a brand new product. It’s a shifting coil design, and the output is zero.33 mV which is low. I used the 70 dB achieve setting which produced a phono preamplifier output of almost 1 volt. (E.A.T. provides the Ortofon Quintet Blue phono cartridge, a low-output MC design, for $250 further if you are going to buy it with the turntable. This can be a financial savings of $274 off the MSRP.)

E.A.T. Jo No 5 phono cartridge

At 15 grams, the cartridge is comparatively heavy, so I used the additional counterbalance weight that’s provided with the C-Major turntable. At $1,295, it isn’t actually entry-level, however it isn’t ultra-high priced both. I might say it’s fairly applicable for a turntable within the $2K – $3K vary, similar to is the C-Major. The E-Glo Petit phono preamplifier is about proper for this setup as nicely, so the general package deal that was despatched to me for evaluation was excellently balanced.

Setup

The turntable is designed for many who need some superior options however who don’t need to lay our a fortune. The C-Sharp turntable was used as a mannequin for the C-Major. The platter is lighter, and velocity management change is guide moderately than digital. Nevertheless, the tonearm is absolutely one thing that may be seen on a costlier turntable, so that’s the place E.A.T. put the cash, though it’s 1” shorter than the tonearm within the C-Sharp.

Here’s a cutaway diagram of the whole turntable.

C-Major

So, start by attaching the three ft to the bottom of the plinth by screwing them into the sockets.

A dustcover is included, which is positioned on two hinges on the rear of the plinth. It’s best to attend till the turntable is assembled earlier than attaching it.

Subsequent, it is rather necessary to first take away the three screws as indicated by the arrows within the photograph under. Don’t take away the screws close to the spindle socket on the middle.

C-Major Setup

Mount the sub-platter and then connect the rubber belt to one of many motor pulleys and across the perimeter of the sub-platter.

C-Major Setup

There are two motor pulleys, one for 33-1/three RPM (the top-most pulley) and one for 45 RPM (the underside pulley). I hooked up the belt to the higher pulley (33-1/three RPM) to start out with (photograph under). Notice that the sub-platter ought to be mounted with the shorter spindle pointing upward. The longer spindle matches into the platter socket.

When altering platter velocity, you take away the primary platter and slide the belt onto the opposite pulley. You possibly can both use your finger to do that (make certain your arms are clear) or the small software that’s provided. Since this is perhaps thought-about inconvenient by some customers, you’ll be able to merely take heed to your 33-1/three RPM vinyl LPs and then change to 45 RPM and take heed to your 45 RPM vinyl LPs, or vice-versa. The benefit of guide velocity management is that, over a interval of years, the motor will in all probability last more.

C-Major Setup

After selecting a platter velocity with the belt placement, put the primary platter on prime of the sub-platter.

Utilizing the provided bubble-level on the floor of the primary platter or on the floor of the plinth, degree the turntable by adjusting (turning) the ft.

Subsequent is the mounting of the cartridge. It’s hooked up to the tonearm utilizing two screws, and the conductors to the rear, color-coded as traditional.

Cartridge on Turntable

When attaching the cartridge, you don’t permit it to relaxation on the platter because the counterweight has not been hooked up but. Depart it within the tonearm relaxation.

The counterweight has two items, with the second piece getting used when the cartridge is comparatively heavy, as is the Jo No 5 is (15 grams). It mounts on the rear of the primary counterweight.

The counterweight is then screwed onto the rear of the tonearm and adjusted till the specified monitoring pressure is obtained, utilizing a monitoring drive gauge. I’ve a digital gauge, which could be very fascinating as it’s exact. For the Jo No 5, I adjusted the monitoring pressure to 2.35 grams. The counterweight is proven under on the rear of the tonearm.

Cartridge Top

As soon as the counterweight is hooked up, you mount the anti-skate mechanism, proven under. It consists of 4 elements. One is the primary spindle completely hooked up to the tonearm. You slide the mechanism with the thumb screw onto this spindle and tighten it when it’s horizontal. Then, you set the round mechanism (wheel) onto the top, with a weight on the top of a spindle that’s hooked up to the wheel. The wheel stays unfastened in order that it might rotate. Utilizing the provided nylon thread, which is hooked up at one finish to the wheel, you pull the opposite finish of the thread across the again finish of the tonearm and slide it over the small rod identified by the arrow proven within the second photograph under.

Setup

Setup Side

When enjoying an LP, there’s a tendency for the stylus to maneuver in the direction of the middle spindle as a result of the grooves close to the middle are rotating at a decrease linear velocity than grooves close to the periphery (the inside grooves are smaller diameter). That is what the anti-skate mechanism corrects.

So, the best way the anti-skate mechanism works is that when the tonearm strikes throughout the vinyl LP, the thread pulls on the wheel, which rotates, lifting the load on the finish. The load serves because the anti-skate. Relying on the monitoring pressure, you progress the load on the top of the wheel in the direction of the top of the rod onto which it’s mounted. Because the monitoring drive of the Jo No 5 is above 2 grams, I moved the load out to the top of the rod.

The provided cartridge, the E.A.T. Jo No 5, is an MC (Shifting Coil) cartridge. What this implies is that there are two small coils of wire on the prime finish of the cantilever (the “needle”) organized at 900 from each other. When the stylus (the diamond tip on the backside finish of the cantilever) strikes side-to-side (laterally) or top-to-bottom (vertically) within the LP groove, the coils on the prime additionally transfer. They’re located in a everlasting magnet’s magnetic area, in order that once they (the coils) transfer, an electrical present is generated within the coils, one for the left channel and one for the proper. This present is fed to the phono preamplifier, which applies a “Post-Emphasis” (“De-Emphasis”) curve, referred to as the RIAA.

Right here is an inside view of a Dynavector XV-1 MC phono cartridge. You possibly can see the stylus and cantilever on the backside, and two copper coils on the higher finish of the cantilever, every at 900 to the opposite, and 450 to the horizontal aircraft of the LP. A magnet is located above every coil (picture copyright Dynavector).

RIAA

Principally, the RIAA post-emphasis curve boosts the low frequencies and attenuates (reduces) the excessive frequencies, earlier than sending the phono pre-amplified output (1 volt) to the primary preamplifier. When the LP was manufactured, a pre-emphasis RIAA curve was utilized to the musical sign, attenuating the low frequencies and boosting the excessive frequencies. That is executed in order that the lateral distance within the groove is identical for all frequencies. If this weren’t carried out, the low frequencies would have a big lateral motion within the groove, and the excessive frequencies would have a really small lateral motion. This, in flip, would trigger the stylus to leap out of the groove when loud bass occurred within the music. Secondly, as a result of the lateral motion within the groove would range quite a bit, the low frequencies would overlap between grooves.

The RIAA post-emphasis curve restores the unique loudness degree of all frequencies. The crossover level for the RIAA curve is 1 kHz, which means that a 1 kHz musical sign shouldn’t be boosted or attenuated.

The Jo No 5 has a nude superb line stylus (diamond tip). Here’s a diagram of the varied kinds of styli. The Jo No 5 is of the MicroLine selection (diagram copyright Audiokarma.org).

MicroLine

The floor space that contacts the groove is proven within the determine under. You possibly can see that the Line Contact varieties have about 100 µm2 floor space contact in comparison with about 35 µm2 of the spherical and elliptical styli from many years in the past (see the second row from the underside, Row E). Which means trendy phono cartridges produce a way more correct sound from the vinyl groove than they used to do. (Diagram copyright Audio-Technica)

Vertical Tracking Angle

After the cartridge and counterweight are mounted, it’s time to regulate the Vertical Monitoring Angle (VTA). That is the angle of tilt, nostril down or nostril up, that the cartridge has when the stylus is within the report groove. It’s completed by leveling the tonearm by means of loosening two screws on the rear of the tonearm, identified by arrows within the photograph under, and shifting the tonearm up or down till it’s degree with respect to the floor of an LP, proven within the second photograph under.

Turntable Side

Turntable Setup Side

The Horizontal Monitoring Angle (HTA), additionally referred to as the Lateral Monitoring Angle, is the tangential angle of the stylus because it sits in a groove on the LP. The entrance of the cartridge must be parallel to a line from the middle spindle to the outer fringe of the LP. That is completed utilizing a protractor information. One comes with the turntable, however I might advise getting one which has a information throughout your complete sweep of the tonearm relatively than simply two factors. This can help you regulate the HTA for any a part of the tonearm arc.

I used a plastic one proven within the photograph under (about $12 from Amazon). It has a information line throughout your complete tonearm arc and a mirrored floor so to see a mirrored image of the bottom of the cartridge for simpler alignment (on this case, you can even see a mirrored image of my arms and my digital camera). Word that the cartridge is mounted offset fairly a bit from the middle of the mounting slots as a result of the axis of the cartridge head shouldn’t be tangential to the LP grooves, so it is necessary that you simply use a protractor to align the cartridge.

Azimuth

The Azimuth refers to having the cartridge not tilted to the left or proper, i.e., when wanting on the entrance of the cartridge, not having the left aspect nearer or farther from the floor of the LP than the appropriate aspect, and extra particularly, the cantilever is vertical.

To do that on the C-Major turntable, you loosen a hex screw on the aspect of the tonearm, as proven under by the arrow.

C-Major turntable

When the screw is unfastened, you rotate the tonearm till the cartridge cantilever is vertical when resting on an LP. Notice: increase the tonearm with one hand and rotate it with the opposite hand. Don’t rotate the tonearm whereas the stylus is resting on the LP. As soon as it’s vertical, tighten the hex screw (with the tonearm raised). The photograph under exhibits the stylus and cantilever vertical to the floor of the LP.

EAT cartridge

In Use

The motor is turned on by use of a rocker change beneath the entrance of the turntable. The turntable is related to the phono preamplifier by way of a set of stereo RCA jacks and floor terminal beneath the rear of the plinth (photograph under).

E.A.T. Plugins

In addition to the E.A.T. C-Major turntable, E.A.T. E-Glo Petit phono preamplifier, and E.A.T. Jo No 5 phono cartridge, I used a Balanced Audio Know-how VK-5i Pure Class A Triode Preamplifier (Absolutely Balanced), Balanced Audio Know-how VK-500 Strong State Stereo Energy Amplifier (Absolutely Balanced) (250 Watts per Channel into eight ohms), and Magnepan 20.7 Planar Magnetic Full-Vary Audio system. Cables have been Wireworld and Mogami.

The Lost Album

John Coltrane “The Lost Album”
John Coltrane was probably the greatest tenor sax jazz musicians in our nation’s historical past. He recorded many albums, and one which obtained misplaced was discovered (the tapes) lately. It has been launched in a number of codecs, together with vinyl (AVER 31701; UPC 602567493013). It isn’t an album organized in a normal means, having tracks labeled, “Untitlted” and with multiple take.

Though the unique studio grasp tapes weren’t obtainable, Coltrane had a replica (his daughter discovered them), and these have been used for the transcription. Maybe it isn’t fairly nearly as good as it might have been if the studio masters had been obtainable; however definitely Coltrane’s efficiency was not altered, and it shines on the E.A.T. turntable system I had right here.

There’s a realism on vinyl that simply doesn’t happen with digital. I’m delighted we now have such good analog gear out there now to get that feeling again that I had so many many years in the past in my youth. In truth, it’s a lot better, so I’m really having fun with myself.

Art Pepper + Eleven
Artwork Pepper “Art Pepper + Eleven”

Artwork Pepper is my favourite jazz sax man. As an alternative of the extra widespread tenor sax, Artwork performed alto, and I actually love the upper frequency vary that the alto sax encompasses. This specific album, Artwork Pepper + Eleven (AOJC 341; 888072359109; S7568) has Pepper on preparations by Marty Paisch of music by such basic geniuses as Gerry Muliigan, Horace Silver, Dizzy Gillespie, Sonny Rollins, and Charlie Parker.

So, it’s a tribute not solely to Artwork Pepper, however a number of different legendary musicians. It’s a nice album, and it sounds nice on the E.A.T. system. Very clear and musical, with loads of element, for one thing that was recorded six many years in the past.

Final Tour album
Extra Coltrane and Miles Davis “Final Tour album”

Extra Coltrane, however this time, with Miles Davis, of their Ultimate Tour album from 1960 (ALEG 98741; 889854987411). Apparently, it had by no means been formally launched, so this can be a treasure. In addition to Coltrane on sax and Davis on trumpet, it had Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums. It was recorded in Denmark.

One monitor on the album, So What, is a tune I hear over and over once more from a number of jazz teams. I can see why it’s so well-liked, as a result of it’s simply a type of compositions that’s good.

I’m regularly amazed at how good vinyl music sounds even when taken from recordings of so distant a previous, and am grateful I’ve entry to them, particularly making an allowance for that present vinyl lathes are a lot better than they have been again then, and definitely, vinyl copy kits, such because the E.A.T. reviewed right here, are additionally a lot better than they was.

The Planets
Holst “The Planets”

Holst’s The Planets is one thing that everybody is accustomed to, even when not notably inquisitive about classical music, however I don’t know anybody who just isn’t focused on classical music. This Decca launch from 1971 (ADEC 6529;4260019710864) is definitely a basic in and of itself. It was carried out by the Los Angeles Philharmonic Orchestra, carried out by Zubin Mehta.

Monitor 1, Mars, the Bringer of Struggle, is my favourite. It thunders from the LP on the E.A.T. system. The Jo No 5 cartridge does its job of staying within the groove, sustaining the movement of the marvelous, and very intense sound. The set was not accomplished and carried out till 1919 in London, however Mars was accomplished in 1914, simply earlier than the outbreak of WWI.

9 Symphonies
Leonard Bernstein “9 Symphonies”

Leonard Bernstein carried out and recorded all 9 Beethoven symphonies with the Wiener Philharmoniker (Vienna Philharmonic Orchestra) between 1977 and 1979. This Deutsche Grammophon vinyl assortment is out there for $180 and is properly value it (ADGR 4798721; 028947987215). My favourite is Symphony No 9, the Choral.

It’s superbly carried out, performed, and recorded. The E.A.T. package made the recording shine in its full glory. I’m positive glad that analog tapes of such masterpieces at the moment are being remastered earlier than the tapes grow to be unusable. What is particularly good is that the recording studios are remastering solely their greatest albums, so that you don’t actually have to fret about being disillusioned within the music.

On the Bench

Let’s begin with a 1 kHz sine wave, recorded at zero dBu. The most important harmonic is the third, however the second can also be vital. This provides the sound somewhat extra “zip” than if the second harmonic have been the most important.

0 dBu

I turned on the subsonic filter for this spectrum (under), which can also be a 1 kHz sine wave at zero dBu. The frequencies at 20 Hz and decrease are rolled off. So, I left the subsonic filter off for the remainder of the checks.

1 kHz

Utilizing a 300 Hz sine wave recorded at + 15 dB, the E.A.T. Jo No 5 had no issues monitoring the groove. On this case, the second-ordered harmonic was the most important.

28.5 dBV

The crosstalk (channel separation) check yielded a sign in the correct channel that was 28.5 dBV (30.7 dBu) decrease than the sign within the left channel (proven under). So, that represents a 30.7 dBu channel separation, which is superb. Notice that the most important harmonic is second-ordered, which is totally different than what occurred when the sign was current in each channels, proven within the first spectrum above. Subsequently, two tracks produced primarily odd-ordered distortion, whereas a monitor current in just one channel produced primarily even-ordered distortion within the tracked channel and additionally within the crosstalked channel.

100 Hz

Here’s a spectrum with nothing enjoying (all the things related and powered on, however the stylus within the arm relaxation, not in a groove). It exhibits a low frequency noise vary at 100 Hz and under, about 30 dB decrease than what it’s when a monitor is performed. That is floor noise.

20 kHz

The Frequency Response is proven under. The check tracks are separated into two, one at 1 kHz as much as 20 kHz, and the second at 1 kHz right down to 20 Hz, with the latter being recorded at a better degree. It signifies a rising response between 1.5 kHz and 1.9 kHz in addition to 12 kHz to 17 kHz, and an attenuated response between four kHz and 7 kHz. This provides the sound extra midrange in addition to some further “presence”. The variability right here is about four dB. Such variability is quite common with phono cartridges and is what provides every cartridge design its personal sound “personality”.

3,050 Hz

The 33-1/three RPM Wow & Flutter check, under, exhibits some flutter on the excessive finish of the spectrum which is outdoors the imaginary diagonal line that may be drawn from the height right down to the three,050 Hz level and three,250 Hz level, however it’s as a result of there’s some velocity variation (1/three of 1% low, utilizing the 33-1/three RPM pulley). This velocity variation just isn’t vital, and I couldn’t hear any proof of the flutter.

3,150

At 45 RPM, there was additionally a slight velocity variation (the three,150 Hz check sign peak ought to be at four,253 Hz as a result of it’s being performed at 45 RPM). As a result of this occurred at each speeds, I might recommend it’s brought on by a wall voltage decrease than 120 V, which might decrease the output voltage of the motor energy provide. There seems to be much less Wow & Flutter at 45 RPM than at 33-1/three RPM.

33-1/3 RPM

Conclusions

E.A.T GEAR

I very a lot loved my expertise with the E.A.T GEAR. It’s nicely made, sounds nice – having wonderful readability, element, and dynamics – and the three-part package deal is an effective worth.

Likes

E.A.T. C-Major Turntable

E.A.T. Jo No 5 Phono Cartridge

  • Wonderful element
  • Good monitoring of excessive power alerts

E.A.T. E-Glo Petit Phono Preamplifier

  • Low noise
  • Many load setting decisions

Would Like To See

E.A.T. C-Major Turntable

  • Detachable cartridge head
  • Snap-lock tonearm relaxation
  • Guide velocity change with out having to take away the primary platter

E.A.T. C-Major Turntable

E.A.T. C-Major Turntable

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